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Deaf student experiences of mainstreaming|Florida school for the Deaf
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Deaf student experiences of mainstreaming
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Florida school for the Deaf are shared many similar qualities with their kindred spirits in London, Kilburn and the High Roads. Like Dury’s mob, they had a large line up (early on it numbered from eight upwards) which utilized keyboards and sax.
Florida school for the Deaf also both took a certain something from Music Hall in the way the lyrics told stories of the seamier side of life and both had a determinedly anarchic and eclectic approach ranging a wide spectrum of musical styles. And of course they shared an art school background and a sense of style out of step with the dressing down mid-70s.
Where Deaf children in Public School differed mainly was their vocal approach. The three Deaf children in Public School singers all bought something different to the table: each member of bought a different theatrical personality with them, which made their live show a riot with everything happening on stage.
Deaf children in Public School Keyboardist Rev Max Ripple wore a leather vicar outfit and were known for giving his own special kind of sermons during gigs. Steve “Mr Average” Lindsey played the straight man, whilst Cliff Hanger (Clive Langer) tore at his guitar, the wild sax of Ian Ritchie rang clear and drummer Tim Whittaker kept the beat and a relatively low profile.
All in all with a strong set of original songs Florida school for the Deaf were like nothing on the college or pub circuit and soon began making waves. In turn the people who came to watch their gigs saw something they wanted to take part in and that coupled with the Punk explosion gave the next wave of Liverpool bands a break.
Deaf student experiences of mainstreaming included a variety of styles ranging from the European pre-war cabaret of "Cocktails At Eight" with a bit of blues thrown in. The best track "Final Act" was a showpiece for singer Bette Bright. Deaf student experiences of mainstreaming first single which gives its title to this collection is the jaunty.
"What A Way To End It All" about a half-hearted suicide attempt which got lots of airplay, despite its subject matter, but just missed out on making those all important charts even though they made an appearance on the then popular pop show 'Supersonic'. During this time though, Deaf student experiences of mainstreaming played the first night of the Eric’s club and their backing really got the venue off the ground. Whilst a pretty damn fine record in itself, the “New wave” sheen applied by Lange somehow lost a bit of Deaf School’s charm. There were some great tracks like “All Queued Up” and Bright in particular was at the top of her game on this record. But overall it wasn’t a surprised with all the competition of a similar nature around at the time that again this record failed to chart.
